Abstract

Previous studies have shown that movement-inducing properties of music largely depend on the rhythmic complexity of the stimuli. However, the extent to which simple isochronous beat patterns differ from more complex rhythmic structures in their effect on body movement, is not well understood. In this paper we study spontaneous movement of 98 participants instructed to stand as still as possible for 7 minutes while listening to silence and randomised sound excerpts: isochronous drumbeats and complex drum patterns, each at three different tempi (90, 120, 140 BPM). The participants’ head movement was recorded with an optical motion capture system. We found that on average participants moved more during the sound stimuli than silence, which confirms the results from previous studies using the same experimental paradigm. Moreover, the complex drum patterns elicited more movement when compared to the isochronous drum beats. Across different tempi, the participants moved most at 120 BPM, but for the isochronous drumbeats their movement was highest at 140 BPM. These results can contribute to our understanding of the movement-inducing effects of music, and in particular, of the interplay between movement, tempo and rhythmic complexity.